


| SRSLY #63: The Girl on the Train / Luke Cage / The Sure Thing |
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I have always thought of Shakespeare as a sort of novelist-in-waiting, impatient for the novel to happen. It isn’t just that it’s hard to read any novel without hearing him or bringing him; it is also that by taking us to the brink of the novel – and, if you like, expending all of its dramatic alternatives – he shows us its necessity.
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