


| Opinion Cannes 2019: Tarantino and Malick, the two endpoints of modern American cinema, bring the film fest to its knees Subscriber content |
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Call it the Inadvertent Versus. When the Cannes Film Festival announced the late addition of Quentin Tarantino’s Once Upon a Time in Hollywood for a competition slot, it placed that long-anticipated film in contention with the latest from another giant of contemporary American cinema, Terrence Malick, on the Croisette with A Hidden Life.
Posted: 2019-05-23 00:59:00
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